Ketubah 2020 reconsiders the traditional Jewish marriage contract in the context of contemporary Israeli society. Incorporating data on marriage and exclusion, the textile work exposes inequalities embedded in the institution of marriage and questions who is permitted to participate in its rituals.

In Body Doubles, Kremer examines the representation of women and men in art created predominantly by male artists. The contrast between male and female portraits explores themes of gender equality and body image. Borrowing the term 'body double' from the film industry, Kremer reclaims it to highlight the double standard in the depiction of male and female nudity, questioning the cultural norms embedded in these portrayals.

The Museum of Empiric Values project brings together the history of classical and modern painting with the worlds of digitization and computing, as well as the craft of weaving — arguably one of the oldest crafts in the world. Iconic works of art are translated into binary code (0,1), enabling a reevaluation and questioning of the 'true' value of art today by exposing the fragile structure of art pricing.